An Investigation into the Importance of «Inculturation» in the Image of Our Lady in Relation to Visual Arts in Religious Education according to Monica Liu

Maria Min-Hui HSU

Resumen


The purpose of this paper is to emphasize the importance of «inculturation» in the religious images drawn by Monica Liu (Ho-Pei), a unique artist who promoted Religious Art and Education in Taiwan. Monica Liu adopted Western Christianity into Chinese art to create paintings that reflect her love for nature as well as Our Lady who is deeply venerated in the Catholic Church and regarded as the mother of humanity. This paper is a qualitative research based on an interview conducted with Huang Wan-Yun, a protégée of Monica Liu who had a very close relationship with the latter during the last ten years of her life. This research is also based on some writings that Monica left behind and several articles written about her by acquaintances. The culture and faith expressed by Monica Liu through Our Lady’s images help us to deeply understand the value and relationship between religious art and faith. In addressing the needs of the secular world, religious art has encountered difficulties in terms of contemporary aesthetics. Monica’s distinct aesthetic considered «moral virtues» important to modern or contemporary art and their absence could result in distorted values. Therefore, true mission work in the field of religious art has to be close to everyone’s heart, as well as emphasize the importance of inculturation through natural representations and create awareness of taboo in art, which involves «additional and supplementary» elements in original artworks.


Palabras clave


Monica Liu; inculturation; religious art; Our Lady

Texto completo:

PDF (English)

Referencias


Anonymous. (2017a, January 15). The model of evangelization through art – Professor Liu He-Bei (This anonymously written article was provided by Monica’s relative). The Catholic Weekly, 424(15, Model of evangelization), 15. Extracted from: https://goo.gl/rBW9C3 [in Chinese]

Anonymous. (2017b). Relight hearts on fire through evangelization (This anonymously written article was provided by Monica’s relative). Spring Of Mind, 94, 120-121. [in Chinese]

Archdiocese of Washington. (n.d.). Our Lady of Sheshan. Extracted from: http://adw.org/our-lady-of-sheshan/ [in Chinese]

Bible Gateway. (n.d.). Bible Gateway passage: John 1:14; John 14:9; John 1:18; Romans 10:15; 1 Corinthians 9:20-23 – New International Version. Extracted the Online Bible from: https://www.biblegateway.com/

Carbonneau, R. (Dir.)., & Walker, M. (Prod.). (2016, October 1). Monica Liu Ho-Pei [Video file]. Extracted from: https://vimeo.com/185162108

Cheng, Y.-Y. (2012). Picasso. Beijing, China: People’s Fine Arts Publishing House. [in Chinese]

Chiang, H. (1998). Reading Picasso. Taipei, Taiwan: Choice Innovation. [in Chinese]

Congregation of the Disciples of the Lord. (2001). Catholicism English-Chinese Online Pocket Dictionary. Taipei: Costantinian Bimonthly. Extracted from: https://goo.gl/uYekHQ

Fu Jen Theological Publication Association. (2005). A Foreign Languages-Chinese CHRISTIAN THEOLOGICAL LEXICON of Terms and Persons. Taipei, Taiwan: Kuangchi Cultural Group.

Gendron, L. (2017, January 22). Anyone who has seen me has seen the Father. The Catholic Weekly, 425(18, Thoughts and Comments), 18. Extracted from: https://goo.gl/uz8cM4 [in Chinese]

Gutheinz, L. (2017, January 15). Creative Artistic Achievement: An exemplary model that remains in the church forever. The Catholic Weekly, 424(15, Exemplary of Evangelization), 15. Extracted from: https://goo.gl/rBW9C3 [in Chinese]

Hoster, B. (2017). Monica Liu (Liu Hebei 劉河北, 1928–2016). China heute, 1(193, In memoriam), 10-11. Extracted the article from: https://goo.gl/2Zwrwp [in German]

Huang, W.-Y. (2010). The Historical Significance of Religious Art: A comparative Study of Two Smiling Statues: Gothic Virgin Mary and Northern Wei Kwan-Yin. (Master’s thesis). Fu-Jen Catholic University, New Taipei City, Taiwan. [in Chinese]

Huang, W.-Y. (2015). Monica Liu (right) with her protégée Huang Wan-Yun (left) and Huang’s baby (middle) [Photograph]. Hsinchu, Taiwan: Photograph owned by Huang Wan-Yun.

Huang, W.-Y. (2017, October 19). Personal Interview. [in Chinese]

Kung, L.-H. (2017, January 22). A combination of western and eastern brushwork techniques, and inculturation in Chinese society – From Angelico’s painting to Liu He-Bei’s theory of the Christ Child. The Catholic Weekly, 425(20, Sacred Art and Evangelization), 20. Extracted from: https://goo.gl/uz8cM4 [in Chinese]

Liu, M. (1993). The White Dress Kwan-Yin [Painting]. New Taipei City, Taiwan: Chian Yi printing company.

Liu, M. (2000). Madonna’s Tender Embrace of the Child Jesus [Photograph]. New Taipei City, Taiwan: Personal Collection by Fr. Gutheinz, SJ in Fu Jen Faculty of Theology of St. Robert Bellarmine.

Liu, M. (2000). The Smiling Face. Hong Kong: Catholic Truth Society. [in Chinese]

Liu, M. (2003). The genius artist and the great master – Cardinal Costantini’s Artistic Achievement. Taipei, Taiwan: Costantinian Bimonthly. [in Chinese]

Liu, M. (2007). Madonna as a bridge [Painting]. New Taipei City, Taiwan: Congregation of the Disciples of the Lord.

Liu, M. (2010). The Mysterious Conversation [Painting]. Taipei, Taiwan: Aurora Catholic Association.

Liu, M. (2013a). The Martyr Saints of China. Tainan, Taiwan: Catholic Window Press. [in Chinese]

Liu, M. (2013b). The Martyr Saints of China [Painting]. Tainan, Taiwan: Catholic Window Press.

Liu, M. (2014a). Time and Eternity. Costantinian Bimonthly, 586, 22-23. Extracted from: https://goo.gl/TULYdP [in Chinese]

Liu, M. (2014b). Nature and Supplement. Costantinian Bimonthly, 582. Extracted from: https://goo.gl/MbLuux [in Chinese]

Liu, M. (2015). New Martyr Saints of China [Painting]. Taipei, Taiwan: Personal Collection by Fr. Matteo Chu, SJ in Guting Sacred Heart of Jesus Catholic Parish.

Liu, M. (2016). Madonna as a bridge [Painting]. New Taipei City, Taiwan: Congregation of the Disciples of the Lord.

Liu, M. (2016). Making music and songs between heaven and earth [Painting, Christmas card draw by Monica Liu]. New Taipei City, Taiwan: Fu Jen Faculty of Theology of St. Robert Bellarmine (archives room).

Liu, M. (2017, January 15). The Smiling Face - From professor Liu He-Bei’s preface to see her artistic vocation. The Catholic Weekly, 424(18, Thoughts and Comments), 18. Extracted from: https://goo.gl/rBW9C3 [in Chinese]

Liu, M. (2017, January 22). The mysterious conversation [Interview transcript]. Interview by Yi, L.-L., & Zeng, H.-R. The Catholic Weekly, 425(24, Memorial and Remembrance), 24. Extracted from: https://goo.gl/uz8cM4 [in Chinese]

Lu, B. (2000). Introduction. In Liu, M. (Ed.), The Smiling Face (pp. 6-7). Hong Kong: Catholic Truth Society. [in Chinese]

Lu, B. (2017, January 15). Somewhere in time – In memory of painter Liu He-Bei. The Catholic Weekly, 424(18, Thoughts and Comments), 18. Extracted from: https://goo.gl/rBW9C3 [in Chinese]

Paul VI, Dogmatic Constitution on the Church – Lumen Gentium, November 21, 1964. (1964). Extracted from: https://goo.gl/1S9xxY

Pius XII, Apostolic Constitution of Pope Pius XII - Munificentissimus Deus - Defining the Dogma of the Assumption, November 1st, 1950. (1950). Extracted from: https://goo.gl/y3DhoK

ReligionFacts. (2016). Kuan-Yin. Extracted from: www.religionfacts.com/kuan-yin

Thurston, H. (1910). Hail Mary. In The Catholic Encyclopedia. New York: Robert Appleton Company. Extracted from: https://goo.gl/qgm9uK

Ticozzi, S. (2008). Cardinal Celso Costantini and the Chinese Catholic Church. Tripod, 28(148). Extracted from: https://goo.gl/UC4w1k

Tou, C.-S. (2017, January 22) In memory of the painter and the paintings – a cherished friendship with professor Liu He-Bei. The Catholic Weekly, 425(24, Memorial and Remembrance), 24. Extracted from: https://goo.gl/uz8cM4 [in Chinese]




DOI: https://doi.org/10.14516/fde.677

Enlaces refback

  • No hay ningún enlace refback.




e-ISSN: 1698-7802

DOI prefix: 10.14516/fde

URL: www.forodeeducacion.com

FahrenHouse: Salamanca, España 

Licencia de Creative Commons
Este obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial 3.0 España.